Musical Modernism and German Cinema from 1913 to 1933
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Musical Modernism and German Cinema from 1913 to 1933
Finocchiaro, Francesco
Springer International Publishing AG
06/2019
259
Mole
Inglês
9783319863627
15 a 20 dias
454
Descrição não disponível.
1. Introduction: The cinematic paradigm.- 2. Prologue. Cinema and the arts.- 3. Cinema and expressionist drama.- 4. Paul Hindemtih and the cinematic universe.- 5. Edmund Meisel: the cinematic composer.- 6. Der Rosenkavalier: a problematic remediation.- 7. Cinema and musical theatre: Kurt Weill and the Filmmusik in Royal Palace.- 8. Alban Berg, Lulu and cinema as artifice.- 9. New Objectivity and abstract cinema.- 10. Between film music and chamber music.- 11. Epilogue. The dawn of sound cinema.
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music;modernity;Alban Berg;Paul Hindemith;Richard Strauss;Kurt Weill;aesthetics;composers;composing;modernist;avant-garde
1. Introduction: The cinematic paradigm.- 2. Prologue. Cinema and the arts.- 3. Cinema and expressionist drama.- 4. Paul Hindemtih and the cinematic universe.- 5. Edmund Meisel: the cinematic composer.- 6. Der Rosenkavalier: a problematic remediation.- 7. Cinema and musical theatre: Kurt Weill and the Filmmusik in Royal Palace.- 8. Alban Berg, Lulu and cinema as artifice.- 9. New Objectivity and abstract cinema.- 10. Between film music and chamber music.- 11. Epilogue. The dawn of sound cinema.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.