Women, Rhetoric, and Drama in Early Modern Italy

CONTENTS Acknowledgments Introduction Part I. Women as Protagonists in Male-Authored Drama: Comedy and Tragedy Chapter 1: Fathers, Daughters, Crossdressing, and Names: Women, Rhetoric, and Education in Commedia Erudita Coda to Chapter 1: Margherita Costa's Li buffoni (1641): The First (Extant) Female-Authored Scripted Comedy Chapter 2: Fashioning a Genealogy: The Rhetoric of Friendship and Female Virtue in Italian Renaissance Tragedy Coda to Chapter 2: Valeria Miani's Celinda (1611) Among Fin de Siecle Italian Tragedies Part II. Women as Authors/ Women as Protagonists: Pastoral Tragicomedy Chapter 3: Women Writers and the Canon: Satyr Scenes in Female-Authored Pastoral Drama Chapter 4: Isabetta Coreglia's Dori (1634): Writing Pastoral Drama Against the Backdrop of the Male Canon and an Incipient Female-Authored Tradition Chapter 5: Isabetta Coreglia's Erindo il fido (1650) and Isabella Andreini's Mirtilla (1588): Using A Female-Authored Classic as Paradigm Appendix: excerpts from Isabetta Coreglia's Raccolta manuscript Bibliography Index

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• Estudos literários: c 1500 a c 1800
• Peças de Shakespeare
• Estudos teatrais
• Literatura: história e crítica
• Idioma: referência e geral
• Estudos de comunicação